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Posts tagged “comics

A couple of random things


I’ve been thinking about two things a lot lately, and decided I’d do a little writing about them.  The first involves language, the second involves writing and how to approach death, especially when it comes to killing a character.

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Swearing.  Whether we admit it or not (or just cuss like a sailor) we all do it.  I’ve dropped more than my fair share of F-Bombs in my day.  I’ve called out bullshit, taken the piss out of someone, pointed out how much of a dick a person is, and even heard an ex-girlfriend shout out “what is this, cunts only lane” while driving.  They’re words, rather harsh words, that can be taken as an insult or as something rather rebellious and carefree (especially when you’re six and you say fuck for the first time).

Some of the rather vulgar terms, as my mother calls them, are really unnecessary.  It’s become a lot clearer lately that there are certain words that are just unacceptable no matter the situation.  And there are others that are completely mind boggling.  A few I’m talking about with the latter happen to be “pussy”, “cunt”, “you act like a girl” (not really a swear, but the terms fit), and anything referring to the female genitals.  The end result of the insult is that by calling someone one of those names is to equate that person to something feminine and therefore weak.  Seriously?  You think a cunt is weak, especially when it can squeeze something the size of a football through a hole the size of a golf ball and still manage to retain it’s shape.  That’s not weak, my friend.  Now balls, that’s weak.  Ball (and the accompanying dick) happen to be strategically placed in such a way that one graze can incapacitate a man.  Even the mere thought of possible violent contact to the family jewels is enough to make a man clutch his groin and roll onto the floor into the fetal position.  As a comedian once said, there’s even nice bumper rails set up so that if one does go to kick a guy in the balls, there’s no chance of missing.

But there’s other words that are used which are really hurtful, and they come from two different places.  One is from racist imperialism and colonialism that began the slave trade.  The other comes from sexism that for years saw women as property and not human beings.  The latter is bitch.  The former is the N-word (I can’t even bring myself to write it, the word is so vile, also, I’m white, I really don’t have any attachment to the word and really shouldn’t).  Both are used to degrade and dehumanize different aspects of our society (just think about how bad it must be for black women with regard to those two words).  In some corners, those words are being reclaimed for the appropriate portions of society.  This sudden reclamation does not mean it’s okay for the rest of us to start using them.  For example I’m a white dude, and the use of the word bitch and n****r coming from me would not only sound weird but really offensive.

As to the other words, like fuck, shit, dick, asshole (it’s okay to use that, ’cause everyone has an asshole), and my personal favourite, douche-canoe… it’s said that someone who swears a lot lacks intelligence.  I tend to disagree.  I believe that someone who swears at appropriate times is actually a lot happier and a lot (mentally) healthier.  Granted, there’s more to good mental health than swearing (because if that was it, I’d be the most mentally healthy fuckin’ person on the planet).

Now, with all of this, one has to remember, there’s a time and a place for a good swear.  Just as Simon in Firefly stated “there is an appropriate time to swear”.  Don’t just drop an F-Bomb for the sake of dropping one (though, at times, it feels really good).

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When killing off a character

This has taken place a few times in different forms of entertainment media.  Just ask George R. R. Martin.  He’s probably killed more (fictitious) people than most mass murderers (with the exception of a few megalomaniacs and dictators).  Naturally, though, there is a time and a place for a character to die.  Often, that is done with great fan fare and suspense.  Just look to the Death of Superman for that proof.

There’s been two deaths recently in comics that have had two very different reactions.  Both came from DC Comics, both came from the Bat-verse.  The first was Damian Wayne, the son of Bruce Wayne (please don’t get me to explain all of the ins and outs of how Bruce has a son with Talia Al Gul, it’ll give us both a headache).  I never read the issue, but I read enough of the reaction.  According to the bio for Damian Wayne (who is/was the current Robin) he was 12 years old.  Which is already very problematic for having a 30-something adult male taking a preteen out in full costume to beat up very dangerous criminals.  But the uproar was huge both before and after the issue came out.

The second death was Catwoman.  Yeah, you heard right.  There was no pre fan fare announcing it either (which leads me to believe that the “Catwoman” that was killed off was not Selina Kyle).  Her death was really problematic, because it’s a continued aspect which really supports violence against women in media.  Catwoman was tied up in a chair, and shot in the head by the Joker.  Which is another of the many times a woman has been killed in a submissive manner, or killed off camera and her body found in a stereotypically traditional female area of a house (the kitchen, for those who are scratching their heads).  It’s called fridging, and it began with an issue of Green Lantern, when then Green Lantern Kyle Rayner returned home to find his girlfriend killed and stuffed into his refrigerator.

Death is a really difficult thing to deal with, because it’s (supposed to be) permanent.  Take a look at the deaths in the Harry Potter series.  This was a book that was geared for kids and young adults and it dealt with death a lot.  Harry’s parents death, Dumbledore’s death, all of the students who died in the battle at Hogwarts.  Another example of a series dealing with a lot of death is Star Wars.  Hell “War” is a word in the title, so you kind of expect a lot of death.  One thing I liked about Harry Potter, was how death was handled.  When Lily was killed, she was killed protecting her son, which is a far cry better than when most of the female characters in comics (both Marvel and DC) have been treated.

Yes, I know, a lot of male characters die too.  But there’s a difference in how it’s presented.  Superman died fighting Doomsday.  Batman died fighting to the bitter end (pre DC Nu 52).  Even when Batman had his back broken by Bane he was fighting right to the end.  As was Damian Wayne.  On the other side, when a woman is killed it’s usually in a position of submission or placed in an area that is stereotypical.  Big Barda, killed in a kitchen off camera.  Kyle Rayner’s girlfriend, killed off camera and put in a refrigerator.  Catwoman, bound to a chair and shot in the head.  Barbara Gordon, paralyzed after being shot just for answering the door.  The only exception to this rule might be Flamebird from the recent Batwoman series.  Bette Kane went off in costume, defying her cousin, Kate Kane’s warnings, Bette got jumped, overpowered, and put in the hospital.  But she was fighting.

Too often, death is portrayed very differently for men as it is for women.  And people often wonder why there’s so much violence against women in the world.  If you don’t think media has any influence on that, you’re wrong.  Media is a mirror of what our world is.


Fandoms


fandoms

This has been going around Tumblr recently.  Not the whole image, but each part of the image as different representations of each fandom.  There’s a lot more, and if you’d like to check it out, click here.  It’s okay, I can wait while you look it all over.

Photo on 13-05-29 at 11.56 AMDone now?  Alright, excellent!

This is something that makes me smile from time to time.  Fandoms.  People who really like stuff and rally around liking that stuff.  And while doing fan art or writing fan fiction or cosplaying or going to conventions may be the dream of most fans, it’s not what all fans do.  You can be a fan of something, and just watch the TV show, movies, or read the book (or in the case of music, listen to the music).  There’s no difference between just liking something or surrounding your spare time in your life with something.  There’s no difference in the level of appreciation a person has for something whether they collect it obsessively or if they just enjoy it from time to time.

As an example, I really love the Firefly series.  I’ve got it on DVD and I watch it from time to time.  I will chuckle at quotes from the show and there are characters I really like.  But that’s it.  Is my love of Firefly any different than someone who dresses like Mal Reynolds (aside from having more creative time than I do)?  Or someone who draws fan art of the ship and crew (aside from having better art talent than I do)?  Or someone who writes fan fiction (I’m still working on Rocket Fox, I have an excuse!)?  I’d say not.

You can crank that up a notch with Tomb Raider.  I’ve played most of the games, I’ve watched and own DVDs of all the movies.  I used to collect the monthly comic, and now have the complete Tomb Raider omnibus sitting on my book shelf.  I have action figures, I have posters.  Okay, I don’t cosplay Laura Croft, I’m not sure I could pull it off (though, I think my hair is long enough).

I’m also a big fan of Star Trek.  I have each series (except for the original series) on DVD, and yes that includes the animated series.  All the movies.  Several books, most written by Peter David, including the New Frontier series.  I’ve played Star Trey Voyager: Elite Force and Star Trek Elite Force II.  I’ve played Deep Space Nine The Fallen.  And I currently play Star Trek Online.  Yet, there’s still people out there who write fan fiction (okay, I did, I just have to find it, it’s a Star Trek/Hawkworld crossover), do fan art, cosplay and even those who do fan films (check Youtube someday).

The point I’m making can lead back to another point I made about fandoms, but this one surrounding the mythical “fake geek girl”.  That girl or woman who reads or is into a comic of series to the point of dressing up as their favourite character.  Yet, those examples are often called out as being fake by fanboys who bemoan the fact there’s hardly any women in comics (I wonder why!).  The main point is that no matter how much of a fan you are of something, whether you just read the books, watch the movies, whatever, or if you go all out and research the backstories and the merchandise and all of the things you can find, you’re still a fan.  One person’s love of a thing is no better or bigger than another person’s love of a thing.

For writers, artists and creators it must be pretty flattering to have that kind of attention.  On the one hand, I’d love it, but on the other I’d be slightly embarrassed and rather shocked.  Still, it’d be cool if some day, I could see this…

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On the passing


The entertainment world lost two people recently.

Roger Ebert with his wife, Chaz Ebert.

Roger Ebert with his wife, Chaz Ebert.

The first came this afternoon, as it was reported that Roger Ebert, known as the man who had a critical eye on movies and was a spot light on cinema for decades, lost his battle with cancer.  He was 70 years old.

Ebert was a film critic, but he had a love of movies and indeed loved some of the cheesiest movies out there.  Because he saw them for what they should be; fun.  Not only was he a film critic, but also a prolific writer, having a column with the Chicago Sun-Times, writing his own biography, and what many might not know, he wrote a screen play for a Sex Pistols movie project which unfortunately never got off the ground.  In 2007, his fight with cancer lost him his voice, and he stopped appearing on television.

He was also a noted “raging liberal” by some.  The Pulitzer Prize winning film critic was known to have his opinions on many different topics, outside of the film industry.  Within the industry, he was critical of Hollywood for not producing films that the public wants to see.  He was a huge supporter of indie films.

The White House offered a eulogy this afternoon, and Prime Minister tweeted his condolences.  The Toronto International Film Festival gave a statement on Ebert’s passing, saying that Roger was like family.  He was there from the festival’s humble beginnings.

The second person who passed away recent was Carmine Infantino.

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Infantino was integral to the American comic book industry, helping to create some of the most iconic characters known.  Many of whom still live on today.  He is responsible for the creation of Black Canary, Batgirl, Wally West (Kid Flash), Iris West, Captain Cold, Captain Boomerang, Gorilla Grodd, and Elongated Man, all for DC Comics.  His artwork was a well known style, and his work was best known for his run on The Flash in the mid 1980s.

flashHe also worked for Marvel Comics and Warren Comics, working on titles that included Spiderwoman, Iron Man, The Incredible Hulk, and Vampirella.  Two of his comic covers, The Flash 123 and Showcase 4, remain two of the most iconic covers in comics.  As they ushered in the Silver Age of comics, and in the DC Universe, the multiverse with Earth 2.

In 2004, he sued DC for the rights to the aforementioned characters.

In the late 1960s, Infantino became an editor and was instrumental in hiring artists who would also later become editors.  He was responsible for hiring Denny O’Neill and Neal Adams, both of whom would help to reinvent Batman and create the team up of Green Lantern and Green Arrow, by creating the Hard Travelling Heroes stories.  Infantino also brought in Jack Kirby to DC Comics, who would go onto create his Fourth World universe, as well as The Demon, Kahmandi and others.

Carmine Infantino was 87.


Modo: Ember’s End


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I don’t often promote other works here, but in this case there’s a major exception.

(okay, I actually do promote other works here, carrying on…)

Modo: Ember’s End is a proposed graphic novel by Saskatoon author Arthur Slade and illustrated by Christopher Steininger.  Based on Slade’s best selling novel series, The Hunchback Assignments, there’s 13 days left in Slade’s crowdfunding at Indigogo, and over $6,000 of the required $15,000 has been raised.

I could talk more about it, but why not let Arthur Slade do that.

Modo: Ember’s End (Graphic Novel) from Arthur Slade on Vimeo.

Here’s a trailer to get you even more pumped about this project, and go support Slade and Steininger and bring this project to reality.

Wanna help them out?  Click here and help support their Indigogo project!


Why Women in Fiction is Important; Round 3!


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I’ve discussed this topic a few times before, so here’s part one and part two (part one includes LGBTQ people, while part two just focuses on women).

Why we need them

Women in Fiction is Important; Round 2!

I honestly wish I didn’t have to do this again, but it looks as though this is going to end up being a monthly conversation.  The reason why is that a lot of people just still don’t get it.  There is a reason why women in fiction, every medium of fiction, is important.

I’m focusing on women in this post, because there’s still this stigma that if a product has a woman on the cover, it won’t be as wildly popular than if generic, white, cookie cutter man is on the cover.  That stigma is the problem, and some can’t get past it, which means that a lot of marketing for video games, movie titles, books, comics and so on drops off because the head honchos don’t believe a female lead title can sell.  Which is weird because a lot of female lead products have been wildly successful in the past.

  • Xena: Warrior Princess
  • Wonder Woman
  • Batgirl (all three incarnations)
  • Birds of Prey (the comic)
  • Spider-Girl (and a good deal of the MC2 universe)
  • Buffy the Vampire Slayer

And quite a few more that I can’t think of off the top of my head (though, I’m sure others can add to this list).  So why are we always taking a step back whenever a new female lead title starts to make it’s way through the press?  Why are we forced to deal with the same nay sayers over and over again over female characters in print, film and digital media formats?  Is it an insecurity that suddenly women will become more ubiquitous then men in fiction?  I doubt that considering that the number of female lead titles that exist is still only a small handful compared to the number of male (and white) lead titles that exist in the world.  Keep in mind, for decades it was always a male power fantasy to be the shining knight and save the damsel in distress.  This was the way of things.  It’s old and tired now, but those who like old and tired things are trying to hook up the white knight to a heart monitor and keep him alive via external machines.  Well, it’s time to just let him die, he had a good life, now let him die with dignity and let the new stuff happen.

This is another reason why women in fiction is important (and this part doesn’t just cover female characters, but female writers, artists, creators, and not just white women, but women of all colours); women bring something new to the table.  A different point of view that can bring about new stories and keep the world’s creativity alive.  Let’s face it, we’re starting to hit the bottom of the barrel, creatively speaking, and we need new stuff.  After all, why the hell are we doing remakes of Total Recall and Psycho in movies when we could be searching for something different.  The main answer to that is business people really don’t like taking risks and they’d rather play with a sure thing.  When they do take a risk, doing so with something that has a female lead is often way too risky for them to go through with it.  And even when they do go ahead with it, they don’t promote it enough in order to allow that thing to work.

Bottom line, let more women be creative leads in every aspect.  Let women be the main characters of popular culture.  But make sure it’s not in some patronizing way.  Make it believable.  We’ll all be more creatively richer for it.

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Batman is really…


Cue the Danny Elfman theme!

Cue the Danny Elfman theme!

I’ve been thinking about this ever since the entire debacle with Damian Wayne was announced.  For anyone who doesn’t know, Damian Wayne is Bruce Wayne’s son, born to Talia al Ghul.  Damian became the new and latest Robin, coming in after Stephanie Brown was Robin for a short stint, and following the legacy set forth by Tim Drake, Jason Todd and Dick Grayson.  Damian Wayne was killed, and according to writers and editors, it was done to give more tragedy.

Really?

Anyway, that should bring us to the fore front of the conversation, now, before I really get into it, I have to build myself a protective fort.

This is dog fort.

This is dog fort.

Okay, now that the fort has been constructed, onto my talk.

Batman, by himself without his backup cast, is really, really boring.  There, I said it.  Batman, who some think is the star of his own series, is actually the least interesting character in his own series and his own universe.  Had it not been for the Rogue’s Gallery of Batman’s (which was a phrase ripped off from the Flash), then Batman would have continued to be really dull.  Had it not been for that succession of Robins, then Batman would have been pretty much a third tier hero.  Had it not been for the three Batgirls, then Batman would have had zero interesting aspects.  Even having the Huntress, both Helena Bertinelli and Helena Wayne, was actually making Batman interesting.

To be honest, Batwoman in her current run is far more interesting than Batman.

Even with the backup cast of Alfred, Commissioner Gordon, Robin, Red Hood, Nightwing, Red Robin, Batgirl, Birds of Prey, and Batwoman, Batman is still a really boring character.  The only time since the post DC Crisis of the mid 1980s that Batman has been interesting was when Dick Grayson became Batman for a short period of time.  Let’s face it, the current version of Batman is just as Reginald D. Hunter said; a conservatives wet dream.  He’s a rich guy who bought and made lots of toys and goes beating up bad guys in street level crime.  Why not go after a corporate shill who happens to be pushing through bad legislation in order to make more money.  That would be interesting.

But no, Batman has to go beating up guys who can’t make ends meet and are forced to work as henchmen for the Joker, Penguin, Mr. Freeze, Poison Ivy and others.  Batman sure helps out the private prison industrial complex, making sure that those cells remain filled at all times.

A while back Stan Lee had a hand in “creating” Batman in his Just Imagine series with DC Comics.  That version of Batman, an African American boxer who had to deal with corporate crime, was far more interesting than what the current version of Batman has become.

Batman is only as good as his supporting cast, and that being said he must be good, because his supporting cast is awesome.  From Nightwing to Robin to Batgirl to Batwoman.  But the real problem is that while is supporting cast is awesome (of that, there is no doubt), Batman is still really boring.


Sometimes, cartoons give sound advice


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This was in yesterday’s newspaper, and it really made an impression.  I like Sherman’s Lagoon, the odd stories of a shark, his wife and child, and their friends the hermit crab, sea turtle and a variety of others that may, or may not, get devoured by Sherman at some point.

But in this cartoon in particular, there’s some solid advice.  Before writing, have a snack or eat something which is good for you.  You’d be surprised how the creative process works so much better on a full stomach.  I’ve sat down and tried to write while my stomach goes off the rails with growls and moans and what I write is horrid.  But when I eat, and I’m in the mood to write, I find it comes a lot better.  You’re motivated to write, you have better thought processes.  Mostly because you’re thinking about writing.  When you don’t eat, you think about writing and the fact you’re hungry.  It even helps if it’s peanut butter on crackers (or some other spread if you happen to be allergic to peanuts).

Eating can help with more than just writing, it can help with drawing or even just simple tasks that don’t take a lot of creative thought process.  So, it’s always good have something to eat, even if it’s a yogurt cup or even a bowl of berries and cream.


The Heroic League: Third Wave


Yesterday was the second wave for this story idea, as it explored the 1990s.  The day before was the first wave as it explored the 1970s.  Welcome to the 21 Century.  Lots of new characters to go over here.  And, there’s even a couple of pictures to go with these ones.

The year is 2000

Ending the 1990s, a manhunt began for Raven Running Cloud as an Amber Alert was issued. Raven went missing after a house fire killed Miranda Running Cloud, wife of Maxwell Running Cloud. Together with a colleague at the University of Saskatchewan where Max was a professor, they developed a suit and wing harness. He dubbed himself The Hawk as he began his search for his daughter in his own way, and fought street crime and tried to get First Nations kids off the streets and into a better life.

In 2001, the world watched as terrorists crashed planes into the World Trade Centre. In Petawawa, Ontario, soldiers at the base watched the morning news in shock. It wasn’t soon after that Canada joined the United States in a large manhunt for the leader of the attacks, Osama bin Laden. Among those soldiers sent was Peter Simonson, captain in 2 Canadian Mechanized Brigade Unit, husband of Lieutenant Naomi Running Cloud. Together they have a son. Peter is ordered to join the operations in Afghanistan, while Naomi stays in Petawawa. Four months later, Peter is killed in action. Not long after, CSIS Paranormal Division approaches Naomi. She is given a suit and calls herself The Grey Kestrel.

CSIS Paranormal Division itself was an oddity. Officially, it didn’t exist. It was developed in the Second World War as a branch of a similar organization developed by the British Government. The reason why it officially didn’t exist was because only one operative within the agency was actually human; Naomi Running Cloud. The world she entered was one that was often thought to live in nightmare and fantasy. The director was a half vampire, the assistant director a Medusa, various goblins, trolls, half dragons, and other beings thought only to live in myth were among the in house agents, a few werewolves and half vampires were field agents. They even had mermaids among their ranks.

In 2002, Johnathon Tiberius Walker (known as Operative Violet Rose) sets in plan his and his unit’s escape from the underground paramilitary organization known as The Red Hand. Together with his operatives Omega Six, Crimson Luna, Indigo Beta, and Grey 6-2-6, Walker tries to deceive the deceivers during an op in Columbus, Ohio. It appears things may go wrong when Operative Pravda, a former KGB Agent named Dimitri Kovolenko, and members of a second secret organization called The Sisterhood. Filled with female assassins, the Sisterhood can lay claim to thousands of political assassinations over the last 100 years. They could, but they don’t. The Sisterhood is a ghost organization that The Red Hand has a loose alliance with. This group includes two operatives only known as Sister White and Sister Eventide. With the assistance of The Hawk and Grey Kestrel, Walker and his crew manage to part ways with The Red Hand, Dimitri Kovolenko is arrested, and Sister White breaks ties with the Sisterhood. Walker and Omega Six (also known as Malcolm Montgomery Watt) escape to the Mediterranean and are soon joined by Sister White. But not before she manages to stop an assassination attempt of Derek Stewart. Sadly, Maxine Wollcot, who has worked with the Stewart family for twenty years, is killed. Maxine’s sister, Marianne Wollcot was on hand to witness it. Marianne is also known as Sister White. (for complete details on the Columbus, Ohio incident, please see Canyons of Steel: A Modern Day Western). Kovolenko is taken to Siberia, where he is transferred to Major Lina Gregarin, a member of the Red Army who is also secretly known as the Russian hero, Soviet Wing.

In 2003, evidence comes to Max that points to a secret research facility in Northern Saskatchewan. It is suggested his daughter, Raven, is being held there. He contacts Naomi, she contacts her superior, Colonel Richard Adams. The three decide that it’s best to go in with a super team, and bring in Mariah, Tim and Tamara. What they don’t know is that the Mannekin also knows about this facility, and together with Black Bowman and recent operative, Moquette (who is, in fact, former Sisterhood agent, Sister Eventide, who killed Maxine Wollcot), are already aware of this facility. Donelda, who has finally woken from her coma, asks Melanie to look out for Derek. Melanie manages to talk to Regina, Jean Pierre and Richard, and convinces them all to come out of semi retirement to aid her. Their objective is to make sure Derek doesn’t do anything stupid. When the two groups meet, it’s Naomi and Melanie who manage to avert a superhero smack down (which was primarily instigated by Derek). The groups go into the facility, with Naomi’s group looking for Raven, and Melanie and Mannekin’s group gather information to implicate Mandrake.

Also, up to this point, Jean Pierre Turgeon discovers his daughter Dominique, has uncovered old newspaper clippings about his old heroics as Canadien. He believes it to be innocent, but it would turn out to be very different. In Windsor, Richard is pleased that his daughter Nikki has taken an interest in robotics, and feels a sense of pride when she wins a science fair award for her development of “Robbie”, a robot that is programmed to have a sensitive and emotional conversation with whomever it is talking to. Even to the point of stating to those who may interrupt the conversation “excuse me, but I am currently speaking with this person. I can talk to you once we are finished” in polite manners.

In Hamilton, Ontario, the Canadian Football League team, the Hamilton Tiger-Cats sign non import receiver Harold Mimms to a multi year contract. No one puts together the connection that once Mimms arrives in Hamilton, so to does a mysterious crime fighter known only as The Owl.

Generation 3

The Hawk: A.K.A Maxwell Running Cloud

Physical Attributes

Height: 6’3”

Weight: 215 lbs

Place of Birth: Outlook, Saskatchewan

Date of Birth: June 2, 1970

Hair: Black

Eyes: Brown

Racial Background: First Nation (Dakota)

Education: Native American history and Archaeology

Monetary Status: Middle Class

Marital status: widower

Base of Operations: Saskatoon, Saskatchewan

Grey Kestrel: A.K.A Naomi Simonson (nee Running Cloud)

Physical Attributes

Height: 6’1”

Weight: 195 lbs

Place of Birth: Silver Spring, Saskatchewan

Date of Birth: October 2, 1968

Hair: Black

Eyes: Brown

Racial Background: First Nation (Dakota)

Education: Military, political science, engineering

Monetary Status: Middle Class

Marital status: widow

Base of Operations: Petawawa, Ontario

Standing_Ready_by_HawksScream

Operative Violet Rose: A.K.A Derringer, A.K.A Johnathon Tiberius Walker

Physical Attributes

Height: 6’0”

Weight: 200 lbs

Place of Birth: San Antonio, Texas

Date of Birth: December 15, 1954

Hair: Grey

Eyes: Hazel

Racial Background: White

Education: Career Military

Monetary Status: inapplicable

Marital status: single

Base of Operations: inapplicable

Omega Six: A.K.A Monty, A.K.A Malcolm Montgomery Watt

Physical Attributes

Height: 6’1”

Weight: 220 lbs

Place of Birth: Sydney, Australia

Date of Birth: March 5, 1965

Hair: Black

Eyes: Green

Racial Background: White

Education: Career Military

Monetary Status: inapplicable

Marital status: single

Base of Operations: inapplicable

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Sister White: A.K.A Marianne Wollcot

Physical Attributes

Height: 5’11”

Weight: 145 lbs

Place of Birth: Swansea, Wales

Date of Birth: February 27, 1963

Hair: Blonde

Eyes: Blue

Racial Background: White

Education: inapplicable

Monetary Status: inapplicable

Marital status: single

Base of Operations: inapplicable

Sister Eventide: A.K.A Moquett, A.K.A Darla Drobsky

Physical Attributes

Height: 5’10”

Weight: 145 lbs

Place of Birth: Glasgow, Scotland

Date of Birth: December 1, 1967

Hair: Brown

Eyes: Brown

Racial Background: White

Education: inapplicable

Monetary Status: inapplicable

Marital status: single

Base of Operations: inapplicable

The Owl: A.K.A Harold Mimms

Physical Attributes

Height: 6’1”

Weight: 235 lbs

Place of Birth: Halifax, Nova Scotia

Date of Birth: February 1, 1979

Hair: Brown

Eyes: Brown

Racial Background: Black

Education: mathematician, English literature, astrophysics

Monetary Status: Upper Middle Class

Marital status: single

Base of Operations: Hamilton, Ontario


The Heroic League: Second Wave


Last time, I detailed the first wave of the Heroic League, during the 1970s.  This time, fast forward 20 years.  A lot has happened, and this is an outline.  Unfortunately, there are no images I can put up.

The year is 1990.

By this time, Regina Morgan-Simms has retired from a life of a crime fighter, as has Donelda Stewart. Jean Pierre Turgeon has ended his costume crime fighting days as he and his wife now have a young daughter, and another soon on the way. Richard Hargrove is still Yellow Jacket, and has just finalized his third divorce after he finally admitted that he was gay. Adding to that, his young son came out saying he felt more like a girl. After a while, Richard has come to terms with this and has taken to calling his former son Nicolas, now his daughter, Nikki.

By the end of the 80s, beginning of the 90s, the world of sports changes. At least in Canada. Two individuals are given credit with helping the 1989 Saskatchewan Roughriders for winning that year’s Grey Cup; Inside Receiver Tim Andrews and Linebacker Lewis Morgan. Andrews retires from football in the mid 90s and eventually marries Tamara Wattly, a nurse in Overview, Saskatchewan. Lewis Morgan is hired shortly after his retirement from football in 1991, as chief of security for the main research building at Stewart Industries in Vancouver.

By the mid 90s, certain players begin to make themselves noticed. In a small town called Silver Spring, on the Whitecap Dakota First Nation in Saskatchewan, a woman accepts a position as doctor at the hospital. Dr. Fadra Englen, of Palestinian descent, was born in Winnipeg, Manitoba. Silver Spring is a small town, a population consisting of mostly those of Middle Eastern, Pakistani, Indian and Chinese descent. Silver Spring has the largest Muslim community in Saskatchewan. Maxwell Running Cloud, also from the Whitecap Dakota First Nation, graduates from the University of British Columbia with a degree in Native American History and Archaeology. His sister, Naomi Running Cloud, returns from her fourth tour with Canadian Armed Forces and international peace keeping missions.

Melanie Coopers is still active as Britannia, finding that the augmentation done to her has kept her aging process slowed down. She receives medical assistance from Donelda, who has focused more on science. Dr. Fadra Englen is also called in from time to time. During this time, Melanie is granted her full British citizenship back.

Toward the latter half of the 90s, a tragedy does finally occur. A bomb explodes in a Halifax hotel, killing Gerald Stewart, placing Donelda Stewart in critical condition in hospital where she’d be in a coma for a time, and also killing Elizabeth Mumford, fiance to Derek Stewart, Gerald and Donelda’s son. Derek is devastated, and the happy adult turned much much darker.

Four new heroes appear on the horizon in the 1990′s. Each is granted a special crystal that grants them incredible powers. All of these individuals are from Saskatchewan and together they are dubbed the Celestial Warriors by the media. Their real identities are secret, but due to the position of one of them, Colonel Richard Adams, the four are brought into a secret wing of CSIS dubbed The Paranormal Division.

Also in the 90s, Colonel Johnathon Tiberius Walker, United States Rangers, is given a dishonourable discharge from service. This was due to an incident from a mission that went horribly wrong while Rangers were deployed in Somalia. He is contacted by an organization called the Red Hand, and joins their ranks.

Toward the end of the decade, a rival bio-genetic company gives Stewart Industries a run of it’s money. Mandrake Bio-genetic Services comes on the scene. No one sees a coincidence between this company and those missing persons which suddenly crop up in what is described as an epidemic.

Generation 2

Emerald: A.K.A Richard Kyle Adams

Physical Attributes

Height: 6’2″

Weight: 215 lbs

Place of Birth: North Battleford, Saskatchewan

Date of Birth: April 10, 1960

Hair: Black

Eyes: Brown

Racial Background: Black

Marital status: married (to Mariah Boggotah)

Education: Military, political science

Monetary status: Middle Class

Base of Operations: CFB 15-Wing (Canadian Forces Base Moose Jaw), Moose Jaw, Saskatchewan

 Hydro: A.K.A Mariah Boggotah-Adams

Physical Attributes

Height: 6’0”

Weight: 165 lbs

Place of Birth: Johannesburg, South Africa

Date of Birth: January 20, 1960

Hair: Black

Eyes: Green

Racial Background: Black

Marital status: married (to Richard Adams)

Education: Environmental protection, water purification

Monetary status: Middle Class

Base of Operations: Moose Jaw, Saskatchewan

Prairie Fire: A.K.A Tim Andrews

Physical Attributes

Height: 6’0”

Weight: 155 lbs

Place of Birth: Invermay, Saskatchewan

Date of Birth: June 9, 1965

Hair: Brown

Eyes: Brown

Racial Background: White

Marital status: married (to Tamara Wattly)

Education: Physical trainer (former inside receiver for the Saskatchewan Roughriders)

Monetary status: Middle Class

Base of Operations: Overview, Saskatchewan

Tiger Lily: A.K.A Tamara Wattly

Physical Attributes

Height: 5’9”

Weight: 135 lbs

Place of Birth: Yorkton, Saskatchewan

Date of Birth: April 2, 1965

Hair: Red

Eyes: Green

Racial Background: White

Marital status: married (to Tim Andrews)

Education: Medicine, nursing

Monetary status: Middle Class

Base of Operations: Overview, Saskatchewan

Black Bowman: A.K.A Lewis Morgan

Physical Attributes

Height: 6’2”

Weight: 225 lbs

Place of Birth: New Orleans, Louisianna

Date of Birth: September 21, 1957

Hair: Black

Eyes: Brown

Racial Background: Black

Marital status: single

Education: Security and investigations (former linebacker for the Saskatchewan Roughriders)

Monetary status: Middle Class

Base of Operations: Regina, Saskatchewan; Vancouver, British Columbia

The Mannekin II: A.K.A Derek Stewart

Physical Attributes

Height: 6’1”

Weight: 200 lbs

Place of Birth: Vancouver, British Columbia

Hair: Blonde

Eyes: Blue

Racial Background: White

Education: Law, Commerce (self taught investigative abilities, martial arts training)

Monetary Status: Upper Class

Base of Operations: Vancouver, British Columbia


Romanticizing the anti-hero


Pop culture, and those who follow it closely (which includes all of us), has this love hate relationship with the anti-hero and the villain.  There are those who faun over such characters as the Joker, who love his style and his flair.  Admittedly, he is very much a charismatic individual.  But he’s also a cold blooded murderer, mental unstable, and in the end was only created to be the ultimate foil against Batman.  Batman himself is the antithesis of Superman, who is portrayed as the ultimate hero.  Superman has power, strength, kindness, honesty, is an open book for the world (save for his secret identity), and is looked up to by everyone.  Batman on the other hand, works in the shadows, uses fear to his advantage and can be brutal in his methods.  To that end, this makes Batman pretty much an anti-hero.

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In pop culture, the best example of an anti-hero would have to be the Punisher.  A man affected by crime, he takes his one man war to the streets, killing those who hurt him, or have the potential to hurt him.  He’s a former United States soldier, and is often described as a former Vietnam veteran.  To that end, he’s the perfect antithesis to Captain America.  World War II vet, who sees honour and loyalty as high attributes, he tries to embody the best in the American dream.  And as Cap himself has said, a true patriot holds the beliefs high, but does not need to support the government who brought them about.

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There’s other pop culture examples as we take a look at books and movies.  Loki from the recent Thor and Avengers movies and even into the comics.  Moriarty, from the original in the late 19th Century, to the present with BBC’s Sherlock.  It goes beyond pop culture to the real individuals who were seen as heroes by some and criminals by others.

Like Jesse James.

imageJames fought during the Civil War, and was known for his brutality on the battlefield.  After the war, he began his new life as a bank robber, where his brutality did not end.  His legend is romanticized through books and films.  But let’s get something straight.  Jesse James was a cold blooded murderer.  A psychopath who got off on killing.  He primarily targeted Union banks, and killed Union citizens, which means he wasn’t stupid and his attacks weren’t random.  He was seen as a Southern hero that captured a sense of rebellion after the Confederacy lost the war.  In the North, he was a cowardly criminal.

Now, James did live in Missouri, which was a border state during the war.  Seventy five percent of it was Southern influence, however, but both sides performed various human atrocities during the war.  Southern guerrillas killed Unionist civilians, executed prisoners and scalped the dead.  Union soliders enforced martial law, performed summary executions, raided civilian homes and arrested Southern sympathizers, banishing many from the State.  It was a perfect climate to create the monster that James would later become, as he joined his brother and Quantrill in December of 1869, well after Frank had been a part of the first daylight bank robbery in the United States.  A Daviss Country robbery, and killing of John Sheets (mistaken for Samuel P. Cox), was the first in a series of bank robberies with Jesse.  James made friends with a Kansas City newspaper editor who was a former Confederate cavalryman, and sent letters proclaiming his innocence.  Each subsequent letter became more and more political, as James announced his pride in Confederate loyalties.  Along with the newspaper editors’ editorials, there became a huge swell of support for James, and a hatred of the Reconstruction after the war.

Jesse James was still a psychopath, but he was a very intelligent psychopath.  Combined with white features and dashing good looks, he was seen as the perfect hero.  But he was still a psychopath.

James isn’t the first, nor is he the last of those who would commit violence.  But they all had a common bond.  Each was very charismatic, each was very white, and each was very good looking.  Angelic faces with hearts of pure evil.

Let’s turn the tables now.

There are very few non-white criminals who have become symbols of heroism throughout history.  Almost all are vilified in some way, even more so than would have happened to Jesse James.  The reason is simple; they’re black, or Native American, or ‘Asian’ (ie, Chinese, Japanese).

There’s another thing that each of the iconic villains from history and popular culture have in common, even the ‘dark skinned’ ones.  They’re all men.  Throughout history, there is very little mention of women being as brutal or ruthless as men like Jesse James or the historic version of Captain Black Beard.  Those in the realm of psychology would argue that women just don’t have it in them.  Here’s a quick, one word argument against that.

Bullshit.

Women can be just as passionate, strong, emotional, and driven as men.  And women can act out on their fears or desires just as men can.  They aren’t heard about as much because there is a common historical attribute that keeps women on the down low with regard to being brutal cutthroats.  Patriarchy.

For centuries, men have been in control (most often) and men have been the ones who control the media, the government, the church, police forces, military, and so on.  So men like Jesse James come along, and they’re branded as villains by the government, but as heroes by the common man.  You have to think, would the mystery of Jack the Ripper have gone on for so long had he not been killing prostitutes, but instead targeted wealth women, or even men.  Would it have gone on longer had Jack the Ripper actually been Jacqueline the Ripper?  I bet it would have, because police would never have suspected a woman of the crime, because the thinking was that women cannot be serial killers.

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Again.

Bullshit.

Bonnie Elizabeth Parker and Clyde Chestnut Barrow were infamous bank robbers with the famed Barrow Gang during the dirty 30s that plagued the central United States.  While John Dillinger had good looks and Pretty Boy Floyd had the perfect nickname during this era, it was something else that rose Bonnie and Clyde to fame.  Illicit sex.  Bonnie and Clyde were young, good looking, and aside from the cartoonish aspect of a machine gun toting woman, without Bonnie, media outside of Texas would have dismissed Clyde as a punk, if they would have given him any attention at all.  With Bonnie, the Barrow Gang’s spree of bank jobs and murders lasted from 1930 to 1934.  Driven by a twisted interest from the public, the pair became famous and idolized  even though many of the crimes were pinned on them they never committed.  There was something incredible about being a killer, bank robber and a sex symbol.

While Bonnie had her share of murders during that time, she wasn’t branded a serial killer.

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In the United States, there have been 86 female serial killers.  Most have been very close to their victims, and motives have often been for material gain.  This has brought about the “Black Widow” romantic aspect of a female serial killer.  Most of their killings happen in a home, or in many cases, in a health care facility they are working at.  There are exceptions to this rule, just as there are for male serial killers.  Aileen Wourmos killed outside.  She was a prostitute in Florida, used a gun instead of poison, killed strangers instead of loved ones, killed for personal satisfaction instead of monetary gain.  Another much darker example is the Countess Elizabeth Bathory, who was famous for draining the blood of her victims and bathing in it.  Her motives were for personal beauty, believing blood of women would keep her good looks and youth.  It’s estimated Bathory killed over 600 young women and girls, but in the end was convicted with 80 murders.  While she never set foot in a court of law, she was imprisoned in her castle, where she died four years later.

The most telling of the romantics of the anti-hero and villain are this, however.  White men are seen as intelligent (even if they are mentally unstable), visionaries, charismatic, and good looking.  White women are often seen as good looking (such as Bonnie), but often as Black Widows, seductresses, evil, shrews, and an exception to the rule of “what a woman should be”.  Obviously men can be psychopaths, then.  Visible minorities get and even shorter end of the stick, often vilified for their actions.  Most notable would be the early 19th Century revolt by Haitians who drove out French and British oppressors to become the first independent nation in the Americas under the control of black citizens.  A heroic story, yet we don’t hear much about it because of that “black” part.  Had the Haitians all been white, we probably would hear no end of it.

As far as women go, they are usually viewed with scorn, vilified, told to be put in their place, or completely erased from history.  While the motives of women who commit violent crimes may be different, their actions aren’t any different at all.  Yet, it’s the men who are praised and hero worshiped.  Even psychopaths like Jesse James.


Why women in fiction is important; Round 2!


I’ve done this before but it needs saying again.

Lead female characters in any genre of fiction is important.  To that end, here’s a gratuitous image of Shani and Pania, the two main characters of my own work, Black Mask & Pale Rider.

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Now that the shameless self promotion is out of the way…  There’s a really good quote that I read, and another that I pulled out of an interview A.M. Harte did with me a long while back.

“[Parents should] recommend some books with female leads that your son would enjoy reading. If your next question is “Why?,” then ask your daughter why she liked Harry Potter. She might say it was a good story, great characters, and a fantastic world. Who cares if the main character was a boy? In fact, girls will pick up a book with a hero or heroine equally. According to my excellent librarian resources, boys will actively avoid books with a girl as the main character. What’s the problem? I have no idea. Why should you encourage your son to read books with heroines? That’s easy. You want your son to grow up knowing that a strong female for a friend, wife or boss is normal and good.” —Rebecca Angel (via msandrogynous)

And the one from me…

I’ve always been more interested in the heroine than the hero. That came from when I was a kid. I remember my dad would give me a dollar to buy comic books. And back in the 1970s a dollar was quite a bit, it was 25 cents, 35 cents for a comic book. I ended up buying, this was when DC had their World’s Finest comics series out, and it was a dollar. There were no ads and they had all these stories in it. I really got attracted to the stories of Green Arrow and Hawkman, but not necessarily Green Arrow and Hawkman, I was more interested in Black Canary and Hawkwoman. Just because they seemed more alive to me and they jumped off the page. So, I’ve always been more drawn to female protagonists, and I thought it was different than what was normally out there.  The female protagonist has always interested me, and it interested me more with having Shani and Pania as female instead of male. Because I felt if it was just two male protagonists, it would just be another western.  —Tim Holtorf, in an interview with A.M. Harte, author of Above Ground, on the reason why Black Mask & Pale Rider were a pair of women in the wild west and not men.  Full audio interview (and a reading) found here.

There haven’t been many leading female characters in fiction, mostly because many authors attempt to push the male gaze in front of everything.  Some female leads are very subtle, as what was done in the Harry Potter series.

Rowling wrote Hermione to eschew stereotypes. She doesn’t end up with the hero; she is never there to function as Harry’s love interest. She prefers Arithmancy to Divination in school. Hermione is also a total badass, despite her prim and proper reputation. (…) So often, female characters are allowed to be aggressive or rebellious, but in exchange are stripped of any traditionally feminine qualities and instead are forced to pick up traditionally masculine traits. However, Hermione is never made to do that. Most notably, she is written to be highly logical AND emotionally expressive, a combination not commonly afforded to most of today’s leading ladies.  —Liz Feuerbach, The Women of The Harry Potter Universe (via writingadvice)

Hunger Games does have an excellent female lead.  But it’s a rare exception in a market that boasts huge numbers of male heroes.  And of all the male heroes, most are white.

We’re supposed to live in a world of diversity, but we just can’t seem to become diverse due to the fact that any time any one attempts to promote a female lead, or a woman of colour, or a person of colour in general, it’s seen as an inferior worth than a piece of entertainment with a white man.

It may be one of those things where you have to write your own original piece in order to bring out more female leads in the world of fiction.  If that’s the case, do it well.  Don’t fall into stereotypes.  Test your work against the Bechdel Test.  Be different, be creative, but most importantly write.  Create something new.


Why we need them


I’m gonna go way more in-depth with this later, but just some words I wanted to get off my chest.

I never could understand this feeling by many in print media, film, and other entertainment mediums why it was always felt that a product was no good without a white, male (most often straight) hero type character to be somewhere in the franchise.  Whether being the main focus or being the one who helps out the woman/person of colour/lgbtq person.  And with women and lgbtq, the white male hero was there to dispense advice because hey, he’s white and male and only white males know what’s good for people (unless they happen to be gay, but sometimes that includes even if they are gay).

Those types of stories are dangerous.  Because they can foster an identity in different genders and races that this is the truth.

Racism and sexism is prevalent in our society; we are not yet in a post racial society, we are not yet in a society of equality.  There are still things that foster this air of inequality, such as the entertainment medium.  Our social media today allows us to report on the latest book or the newest movie at break neck speed.  It can also display our bigotry at such incredible speeds as well.  One such thing is the response to a character in the Hunger Games being black, and most of the tweets said there’d be more sympathy if the character was white.  Now that was around the movie.  As I myself have read, the description of Rue (the character in question), pretty much solidified that she was black (or, darker skinned).  The tweeting of the lack of sympathy showed the absolute apathy and bigotry toward African Americans (or African Canadians).

We need people of colour, women of colour, women, LGBTQ authors and we need characters of the same design.  Because once those authors and those characters become more prevalent in our entertainment media, then we’ll be taking a step forward.  There has to be more Gail Simone’s and Dwayne McDuffie’s of the world to help bring about new and interesting ideas.  With this new world of social media, marketing should be a lot easier.  We should be able to inundate different sites with information about new, positive story ideas.

Instead, we’re merely being given the same, tired old stories as though the well has dried up.  When a new idea does come along, it’s the most damaging and racist thing ever seen.  Two examples of this are 50 Shades of Grey and the Save The Pearls series.  One series paints an entire culture in such a bad, stereotypical way, while the other attempts to use reverse racism, siting that white people will be the oppressed and down trodden of the future.  Amazingly, the latter won’t happen because we humans have the tendency to evolve with climate changes.  As I’ve read, the plot of the book is that due to environmental damage due to over mining, over drilling and pollution, whites can’t survive as well in the new world thanks to huge holes in the ozone layer.  Or something to that affect.  But seriously, the book without reading it is really racist as it tries to make whites look like an oppressed minority.  Which is pure fantasy.

However, enough of that.

People of colour, women of colour, women and lgbtq creators have a lot of really good ideas.  We should look closely at those ideas and take them into account, instead of just brushing them aside or complaining that “the quota was already filled” (which is another statement of bullshit).  Maybe if we took a look at more of their ideas, we’d have a whole lot more original entertainment to keep us going, instead of rebooting or re-imagining the same crap, over and over again.


Fear of a Black [Panther] Film


I saw something and had to stop and read it.  It was a quote from Marvel Studios’ co-president Louis D’Esposito.

“[Black Panther] has a lot of the same characteristics of a Captain America: great character, good values, but it’s a little more difficult, maybe, creating [a world like Wakanda]. It’s always easier basing it here. For instance, ‘Iron Man 3’ is rooted right here in Los Angeles and New York. When you bring in other worlds, you’re always faced with those difficulties.”

The blogger I read this from went on to say some interesting stuff.  Originally from blackfolksmakingcomics:

thinks creating a fictional African kingdom like Wakanda is more difficult than, say, a fictionalized version of Afghanistan, the alien realm of Asgard, or the alien worlds that’s going to be in the upcoming Guardians of the Galaxy film?

How exactly is creating a fictional kingdom on Earth harder than creating a fictional kingdom of deity-like beings or of alien creatures?

I’m not sure I’m buying that. I mean, it’s not that difficult.

“I want to recreate something created in comics in live-action.” Boom! It’s done. People do it all the time. It’s not rocket science. It’s movies. You can create anything your imagination allows you to. It’s not hard at all.

You can create beings who transform into giant monsters smashing up buildings. You can create robotic suits capable of traveling from Los Angeles to Afghanistan in mere minutes. You can destroy an entire metropolitan city with alien creatures with relative ease. You can create alien realms and dimensions. You can create a floating carrier base with more machines than humanly possible. But to create an African kingdom with real world physics? That’s impossible to you guys?

It’s not that hard. I mean, filmmakers have made fictionalized African worlds since the beginning of film. We have the talent and the technology to make it look and feel real. That’s not a problem, so I don’t know why Marvel Studio’s co-head would think that’s a problem.

The problem that they refuse to acknowledge is this:

Marvel Studios fears that a Black Panther movie will be classified as “a Black film.”

That’s … that’s it.

Considering Marvel likes to do origin stories to introduce a character, the fact that his entire origin story takes place in the African kingdom of Wakanda may be a hard sell in Marvel’s eyes. And to do that, you’re going to need a majority Black cast. There’s a belief in Hollywood that you can’t put more than three Black actors in a film in leading roles because the general perception is that it’d be seen as a Black film,

Todd McFarlane stated that the producers of Spawn turned Terry Fitzgerald (Wanda Blake’s new husband) into a White man and developed a White woman named Jessica Priest to be the killer of Al Simmons instead of Chapel (a Black man) largely because the studio didn’t want too many Black leads in the film. The first Blade move has Wesley Snipes, N’Bushe Wright, and Sanaa Lathan, while the other films only had Snipes in the titular role. Steel (ugh) had Shaquille O’Neal in the title role, Richard Roundtree as his uncle Joe and Irma P. Hall as his grandmother.

Remember M.A.N.T.I.S? Great television movie about a paraplegic doctor and brilliant scientist named Miles Hawkins (the last name, had the series continued, wasn’t a coincidence and he would have been in a crossover with a Milestone character who also shares that family name) who created an exoskeleton (the costume design was created by Hardware co-creator Denys Cowan) that not only restored his ability to walk, but gave him enhanced abilities.

Carl Lumbly, who later played Martian Manhunter in various DC animated productions, played Dr. Hawkins. Gina Torres, who’s known by many as Zoe Washburne from the Firefly/Serenity series and the voice of Vixen on Justice League Unlimited and Wonder Woman in the DC Universe Online MMORPG, played Dr. Amy Ellis. Bobby Hosea played reporter Yuri Barnes while Wendy Raquel Robinson (you may know her as Principal Regina “Piggy” Grier from The Steve Harvey Show sitcom and Tasha Mack on The Game) and Christopher M. Brown played a pair of African students who interred for Dr. Hawkins.

When the film became a series, only Lumbly remained. Everybody else was gone, replaced by different actors, all White. Much of the African elements removed from the series. And it was canceled with the lead character getting squashed by an invisible dinosaur. Critics noticed the changes made from the well-received pilot and the rather lackluster series, mostly savaging the lack of diversity the series had.

That said, it’s kind of telling that nearly 20 years after M.A.N.T.I.S. premiered, Hollywood still fears creating a serious action-adventure property with a predominately minority cast and the perceptions of it being a “Black film.” There’s no such thing as a “Black film.” There are comedies, dramas, thrillers, and adventure stories with a mostly minority cast, but they’re just comedies, dramas, thrillers, and adventure stories.

The whole thing about Marvel not wanting to make a Black Panther film because they can’t recreate the kingdom of Wakanda seems farfetched and weird to be believed. Guess that’s just Hollywood being strange and woefully ignorant again.

And I had to add in my own two cents, because I think it is an injustice when a good story doesn’t get made, just because it happens to be about black people.  It’s sad that when something like this comes up the biggest concern is “will white people like it”.  We aren’t in a post racial society that embraces equality when we try to consider how “white people” will view something if it has black lead roles or characters.

Anyway, here’s my take posted originally from timholtorf.tumblr.com:

Really?  There’s a fear that a black lead cast would be seen as a “black film”?  As though “black film” in it’s represented scare quotes would be seen the same as “Muslim”.  That its something scary and different and people wouldn’t know how to treat it.  Which is complete bullshit.  Sure it’s a black film, but it’s still a film.  It just has black people in it.  People who eat, breathe, live, die, fuck and all other sorts of things (well, perhaps not fuck, unless it’s a porn).

I really don’t think it should be something feared, because that’s how it looks to me how Hollywood is approaching it.  How long did Red Tails take to get made?  Several years, and I thought it was awesome when I saw it.  Does it have black people in it?  Sure, but it’s also got fighter craft and air battles and explosions and other cool things.  And it talks about history, a very real history that happened that should never be forgotten.

As for creating a fictional African nation, I agree with the above.  How freakin’ hard would that be?  There are several nations in the African Continent that you can choose from for research and history.  And please, oh please, don’t decide to make the government of Wakanda corrupt and needing to be saved.  Because that plays into a Western centric stereotype, that everyone outside of North America and Europe (outside of the old Soviet bits) is corrupt and evil.  Saying it’s easier to make a film about a character in the States is basically saying you’re too lazy to create something new and different.  Also, it’s really fucking bigoted.


Summertime!


It’s the first official day of summer! Yay! Also, I talk about what’s coming up next in Rocket Fox (chapter seven is uploaded at my blog in pdf format).

Scroll down to download pdf reads of Rocket Fox.

I also talk about comics. I may be picking up more than just Huntress, Batwoman, Batgirl and World’s Finest.

Oh, and Canada Day.

And because it’s summer…

Those are the most EPIC mutton chops I’ve ever seen.


Morning dose of science fiction images


All of these are from the video game Champions Online, where I’ve made the different characters of the story, Rocket Fox: Flight of the Nighthawk.

Lt. Senia Felix, hover boarding.

Corporal Clarfax Billings, checking the read outs.

Corporal Hardy Maynard, battle stance.

And, from the story Swift Fox and the Pirates of the Jackai.

Captain Crena Clarendale, at the ready to swash a buckle.


Death of a character


No, I’m not killing off a character in anything I write.  But, I do wanna discuss a character in comics that, as far as I’m concerned, was given a pretty blah ending and a hand wave death.

Cover of "Huntress: Year One"

Cover of Huntress: Year One

The character I speak of is Helena Bertinelli, also known as the Huntress of DC Comics continuity.  The Huntress was a Bat-family character, and often one that wasn’t thought of as being all together nice.  But that’s probably because Helena Bertinelli grew up as the daughter to a Mafia mob boss.  Her parents were killed, and she threw off the responsibility of growing up in the mob to become a vigilante.  She was also a teacher, and taught class at an inner city school in Gotham.

And now she’s dead.

Well, not yet.  The actual final death knell won’t be officially sounded until the first issue of World’s Finest comes out.  The new series is taking a different path.  Instead of being the book for Superman and Batman, it’s now the book for Power Girl and Huntress.

So, I may have confused some people now by saying that the Huntress is going to die, but she’ll be a recurring character in the ongoing series World’s Finest.  Sorry about that, but now it’s time for an explanation.

Before Huntress/Helena Bertinelli, there was another one.  She was from, what DC Comics called Earth 2.  It wasn’t the same Earth that the Superman and Batman we’re familiar with lived, but had older versions of the characters we knew.  And some differences.  Including a woman called Huntress, who in her real life was known as Helena Wayne.  She was the daughter of Bruce Wayne and Selina Kyle.  That got washed away in the mega crossover of the mid 80s called Crisis on Infinite Earths.  Huntress died valiantly, along side many other heroes in defending the Multiverse.  She even got a decent on page death scene, one that didn’t involve kitchens or refrigerators as seems to be the case now with female characters.  After Crisis, Huntress was reborn, but as Helena Bertinelli.

She was a more interesting character, to be honest.  She fought actual crime, dealt with real life issues, went head to head with the Batman on many occasions because he found her methods to be quite violent.  Huntress was also the only female character in the DCU to go head to head with the alien Predators when DC and Dark Horse did the Batman Predator cross overs.

And now, that version of Huntress is dead.  It wasn’t a dramatic death scene, however.  It wasn’t even a full page.  It was just one line.  Here it is in the preview to World’s Finest.

It’ll be sad to see her go.


Avatar: The Last Airbender


I just finished watching all three seasons of this series (not all yesterday, mind you).  It was a really good series.  I’m particularly impressed with the attention to detail given to each area, the forms of martial arts given to each of the bending techniques, and to the cultures themselves.  The story and character development was also really well done; from Aang and his destiny to defeat the Fire Lord to Zuko’s own path that he had to follow.  Even Azula, Zuko’s sister, whom I found hating with incredible passion at the first appearance, I found by the end she was merely lost without her own goal of power.  She’d been corrupted by her own father and her own ambitions.  So much so that she turned her back on the only two friends she had.

From left to right, Sokka, Mai, Katara, Suki, ...

From left to right, Sokka, Mai, Katara, Suki, Momo, Zuko, Aang, Toph, and Iroh enjoy tea and relax at the latter's tea shop at the end of Sozin's Comet. (Photo credit: Wikipedia)

In the end, it was a journey for all of them to go through.  Each had started out in some way that wasn’t exactly favourable, but in the end they changed.  Toph started as sort of arrogant, but in time began to realize the benefits of friendship and teamwork.  Sokka was always the comedian (and to a point remained that way), but eventually had to become a leader.  Katara was forced into adulthood too soon, and had to learn to cope with that.  Eventually, as they found each other they were able to move on.

Possibly Aang and Zuko’s paths were the most difficult.  Aang just wanted to be a boy, and sometimes I felt as though the aspect of the Avatar was shoved on him and the weight of the responsibility was too much to bear.  For Zuko, he thought forgiveness from his father would restore his honour, when the only one who could do that was Zuko.  A lesson that Iroh tried instilling in him.

All in all, this was an excellent series with each season being very much like a book as they were introduced.


Music of superheroes


Dragonforce Operation Ground And Pound – YouTube.

Switching things up a bit from current writing (because I can do that, and I’ve hit a brick wall… again) as I think about other stories and things I’d like to write (and even make a comic book about, whether in print or a web comic).

Dragonforce has pretty much had the kind of music that I equate to one set of characters I’ve worked on, and featured here in the past.  You might know it, if you’ve read Flag On My Backpack.  It’s the series about a young woman from Montreal who becomes a costumed superhero by the name of Canadienne.  Basically wraps herself in the flag, inspired by the actions of her father during the October Crisis of 1970.  On top of that, she happens to be the lead guitarist of an indie Montreal speed metal band called Blanc Noir.  Formed while they were still in junior high school, they stuck together with the intent to make music, have fun and share their experiences together.  This lasted for a while, and during that time they added a couple of different band members.

The line up now consists of Yves Manderville (lead vocals, keyboards) and Jacqueline Manderville (second lead guitar, mandoline) both of whom are of Haitian ancestry, Michelle Villineuve (percussion) the happy goth of the group, Dominique Turgeon (first lead guitar, bagpipes) who happens to be the super hero of the group as she is the one who dresses in the flag and stops crime, and now there is Raven Running Cloud (bass, classical guitar, six string) who is originally from the Whitecap Dakota First Nation in Saskatchewan, but moved with her father to Montreal when he accepted a position to teach Native American Studies at McGill.  Raven is also the second super hero of the group, calling herself Grey Kestrel.

Dominique (Dom) Turgeon as the electrifying Canadienne.

It’s a story that I’ll definitely come back to again, and while I’d really hope that the idea was picked up in comic form, I actually don’t want either of the big two taking it up.  I’ve really be disillusioned with DC Comics and Marvel Comics as of late (more so DC than Marvel).  There is a comic company that could do a title like Flag On My Backpack some justice, though.

Archie Comics.

Dom's father, Jean Pierre Turgeon as Canadien during the 1970s.


Realistic uniforms in comics


 

From Turn the Page, my tumblr blog, originally posted by  fernacular of tumblr who made the images:

Welcome to: If Male Superhero Costumes were Designed Like Female Superhero Costumes!

Aaaaa I dunno. I got tired of guys having no idea why girls find female superhero’s costumes kinda sexist, so I, um, made this?

My main goals were: 1) Make it so the first thing you think of when you look at them is sex, whether you want to or not. 2) make it so that any male human who looks at this feels really uncomfortable. 3) make it funny, because, well, it’s kinda hilarious really.

Not trying to start a war here, just wanted to poke a bit of fun.

So, here you go menfolk, welcome to being a girl who likes comics.

And my own response:

Women in comics are meant to be objectified.  At least, that’s the unspoken attitude.  It’s a double standard treated on heroes of different gender.  Male heroes are covered head to toe, while female heroes have to have as much skin showing as possible without it being called porn.  From g-string bottoms to tops that barely cover their breasts.  And yes, there are those characters that are fully clothed like Batgirl, Catwoman and Black Widow.  But in the case of the latter two, they are often shown in a come hither pose with their front zipper down as low as it will go giving a glimpse that leaves not a lot to the imagination.

It goes further than that, to how men and women are treated in their heroic duties.  Men are still the strong, confident individuals, usually tortured by some dark past.  Either parents who were killed or witnesses to some great tragedy.  And when it comes time for the hero to die, they do so on camera, fighting to the last against some unstoppable foe.  Or they sacrifice themselves in order to save the greater whole.  Women, on the other hand, are often killed off camera, and they are not shown in a fight to the last.  Most often, their deaths come in the most ironic of places; the kitchen.  As though that were some secret message from the writers and publishers.  Stuffed in refrigerators, sprawled across the kitchen floor or even at times damaged beyond belief in their own bedroom.

There is a strong stereotype in comics, and for a while it was disappearing, but it’s come back with a vengeance.  I just hope the writers who are against that type of portrayal will drown out the old school stereotypes.

Here’s to Gail Simone, Greg Rucka, Neil Gaiman and others more than I can list and remember here, who do a far better service to female characters.


She Has No Head! – No, It’s Not Equal


She Has No Head! – No, It’s Not Equal | Comics Should Be Good! @ Comic Book Resources.

This is an excellent opinion piece on how women are treated in comics.  Spoiler: they’re treated badly, like objectified sexual tools.

Why you ask?  Well, because I knew it would cause a ****storm, as any comics column that’s remotely controversial does, especially it seems when written by a woman. I had also decided, partway through writing She Has No Head! that I was going to take a decidedly more positive tact for the column, primarily focusing on books that are good, and what I’d like to see more of, supporting creators that are getting it right.

Read the rest of the article for a good look into sexism in comics and the fact it’s actually getting worse.

Just avoid the comments. Yes, there is a lot of really positive comments, but there’s also crap like this.

When I hear Fems argue for more representations of fat, slovenly, lazy men as love interests in female power/sex fantasy oriented Romance Novels, maybe I might give a damn about their hissy fit over superhero comics.

And this.

This is essentially about censorship. Saying bad art doesn’t deserve to exist because it offends your political beliefs is not acceptable in a free society. Maybe you wouldn’t jail an anime fan for child porn or assassinate a cartoonist for depicting Mohammed, but you are on the same side of the fence as the people who do. If only there was some sort of legal defense fund for comic books.


The new arrangement


Or at least the new computer work area.  Here is the pictorial of my work this morning.  No pictures of the demolished cable modem.

The full view! This is what the new location looks like.

 

The new home for Sennie the Teddy bear. Leaning against a pile of Reader's Digest Condensed books.

All of my comic book related DVD movies (minus 300 which I should put up there) as well as my Hawkman action figure, several Hero Clix figures and the first Tomb Raider figure I bought.

 

The Hunger Games trilogy next to some of my graphic novels. Can you spot any familiar titles?

 

More graphic novels and comics. There's Captain Canuck, the collected first series, Maus I and II, Queen and Country I and II, and a few others.

 

Proof I need a new book shelf. Books are two rows deep.

And more proof I need a new bookshelf, as I have small piles on shelves in front of books. Also, the second Tomb Raider figure I purchased.


Quotes for the day


A couple of really good quotes, one on treating women characters in comics (and in turn, treating male characters in comics), and the other a response to the statement “Date an Illiterate Girl”.

Greg Rucka, well-known comic-book writer and n...

Image via Wikipedia

By the same token, sexy is not exploitative, and exploitation is dishonest. Reverse that chain and you can see that, whoever you are writing, if you are honest about them, fair to them, and allow them their moments of brilliance, you can create that sexiness without it becoming pandering. Sexy is not a visual trait – that’s titillation. Cheesecake, beefcake, those are entirely visual matters. What makes someone sexy – what makes anyone sexy, in my opinion – is less how they look than how they do. Competence is sexy. Capability is sexy. Confidence is sexy. Smart is sexy. A character who clearly embodies these traits in some capacity or another is a character who is going to be attractive.Bending over to pick up a dropped pen with your ass high in the air isn’t sexy, that’s just a butt shot. We confuse arousing with sexy in the same way we confuse strength with cruelty. A strong character isn’t, by definition, a mean one, but the confusion between the two has lead to a shorthand where the attempt to depict a female character as “strong” translates to “bitch.” They’re not the same. Strength is part of character, as well – those characters who know what they want, know what they’re willing to do to achieve those goals, and who rise again and again against opposition are, by definition, strong.

Greg Rucka (via ComicVine)

Date a girl who reads. Date a girl who spends her money on books instead of clothes. She has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she finds the book she wants. You see the weird chick sniffing the pages of an old book in a second hand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas and for anniversaries. Give her the gift of words, in poetry, in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things will come to end. That you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.

Rosemarie Urquico’s Date A Girl Who Reads, a response to Charles Warnke’s You Should Date An Illiterate Girl (AKA Robert Pattinson did not say this)


The 99


In “THE 99,” Naif Al-Mutawa’s new generation of comic book heroes fight more than crime — they smash stereotypes and battle extremism. Named after the 99 attributes of Allah, his characters reinforce positive messages of Islam and cross cultures to create a new moral framework for confronting evil, even teaming up with the Justice League of America.


Just randomness on comics – YouTube


Just randomness on comics – YouTube.

Hawkman

Image via Wikipedia

As I often do when cleaning out storage areas, I may find something of interest (to me at least). In this case, it was one of my boxes of comics. Earlier I had found a neat little program that organizes and puts all comics into a nice neat database and it got me thinking about going back into my storage areas and searching through some of it. This is some of that. This is also a bit of a history of the Hawkworld series of comics from DC Comics, and Hawkman.  I haven’t picked up the new Hawkman series (yet) and I’m still way behind on the fourth volume of the Hawks, but I intend to collect them in trades if they come out.

Something I didn’t explain in the video, I also have back issues of the World’s Finest, which contained many different stories, always starting with Batman and Superman, but including Green Arrow, Black Lightning, Shazam, the Creeper, Red Tornado and Hawkman.

I may do a couple other videos like this in the future, I’ll have to see.  I’ve got a large number of comics from different companies, and my hope is eventually to find any that are in trade collections to get those.  Then I’ll give away the single issues.


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