While scrolling through tumblr’s dashboard, in the writing tag (this is a thing I do early in the morning with a cup of coffee) I discovered this interesting set of rules when writing.
Writers rarely like to revise, but revision is a reality of the writing process—and more important than the initial draft. Without revision, you can’t realize the true potential of the story you envisioned, and it will likely never be published. Here are seven self-editing questions to ask as you begin revising your short story or novel:
1. Where does the story really begin? Reread the first two to three pages of your story carefully. Where does the action start? A major fault with many first drafts (mine included!) is too much background material at the beginning, before the conflict is introduced and the characters finally take over the story.
In my case, I can almost bet that my story doesn’t really begin until about halfway down page 3, so out go the first two pages. If the material I have cut is essential for the reader to know, I find ways, through dialogue or my characters’ thoughts, to get the information to the reader later. The late additions are never as long as the original two and a half pages, and the story gains needed speed.
2. Is this adverb necessary? Chances are, if you are using a lot of adverbs, you are telling and not showing. Think about the character that has just won the lottery. Rather than have her yell “joyfully,” why not have her jump up and down screaming so loudly that her cat runs under the bed in terror, and it takes her 20 minutes to get it out? Maybe she runs to her closet and throws all of her old clothes in the garbage while blasting “If I Had a Million Dollars” on her CD player. Both of those pictures show how the character reacts instead of telling, and they are certainly livelier than the word “joyfully.”
3. Is this adjective doing its job? Look for empty adjectives and replace them. Instead of relying on “amazing,” “interesting,” “exciting,” “awful,” “ugly,” “beautiful,” “nice,” “scary” and other similar adjectives, use sensory details that bring to life what you are describing. Find places to get the readers’ senses working; it means you are making the story real for them.
4. Whose problem is it? Your main character has the primary problem at the center of your story, and your main character needs to solve it. Make sure that your protagonist remains the chief actor in the story and doesn’t become solely the reactor to another character’s influence. Sometimes, in longer pieces, characters other than your lead can nab your attention and your imagination; this can be especially true of villains and comic sidekicks. Be careful that these characters don’t become so charming that they threaten to steal the book from your hero or heroine.
5. Are the grammar and spelling perfect? Yes, I mean perfect. Your story will compete with a host of other stories, so don’t blow your chance with poor spelling and grammar. Of course, publishers have editors who will help polish your copy, but you need to show your best work up front.
6. Have I read my story aloud? One of your best proofreading tools is the sound of your own voice. Reading your story aloud is a great way to find awkward or incomplete sentences, clumsy phrasing, and inconsistencies in verb tenses and pronoun agreement. If you hesitate when you are reading, or if you have to reread a sentence or phrase, then you may need to rewrite that part of your story.
7. Have I applied the Stephen King rule? In Stephen King’s On Writing, he shows a before-and-after example of how editing can improve a story. His revision rule is:
2nd Draft = 1st Draft – 10%
We have a tendency, as writers, to believe that every word we write is precious, and we are reluctant to cut our material—after all, we remember how hard it was to get it down on paper. However, editing is about making our prose lean and exciting, and compelling the reader to turn the page. See what you can do with 10 percent fewer words.
Finally, consider revision a reward. Remember that if you are revising, you have finished a project—how neat is that? Try these seven questions to kick-start your editing and begin your pursuit of a great final product.
I’m most likely going to add a bunch in the second draft, and then subtract even more in the third draft, mostly because after rereading what I’ve done there’s some elements and characters that need a bit of explaining. So in second draft, I’ll put that in, rearrange the chapters a bit, flesh out some characters a bit more, and fix a few things (such as Felanus has changed to Felanar and the RVAF Tritan has changed to the RVAF Osprey). Once third draft hits, I’ll be subtracting a lot of stuff, useless words, long convoluted sentences, cleaning up grammar. I already think it was a better idea to just write “Senia speaks with a lisp” instead of displaying that lisp every time she talks.
I want the work of Rocket Fox to come about better than Black Mask & Pale Rider (even though I still love that book). So the amount of work I have ahead of me is a lot, but it’s something that has to be done.